Boria Sax, Ph. D.

25 Franklin Ave, Apt. 2F

White Plains, NY 10601-3819

Phone: (914) 946-6735

Email: Vogelgreif@aol.com

Web Site: http://www.boriasax.com

 

Book Proposal

 

 

Title: City of Ravens: How ravens came to the Tower of London, why they stayed, what they tell us about nature and humankind

 

Authorship: Written by Boria Sax, with an introduction and illustrations by Tony Angell.

 

Expected Length: About 200 pages of text (ca. 50,000 words), plus many illustrations.

 

Date of Completion: The Manuscript is essentially complete, though subject to revision.

 

Summary:

        With about three million visitors per year, the Tower of London is one of the most popular tourist attractions in London or the world, and the ravens rival the Crown Jewels and the Yeoman Warders as its most popular feature. The ravens have a special intimacy with visitors, for whom they show off and, some believe, even pose for cameras. Most of the time, however, they play, quarrel, or just enjoy the company of one another. Their behavior can be so lighthearted that visitors almost forget they are captive, so expressive that we almost forget they are not human. According to the guidebooks, Charles II (reigned 1660-1685) ordered that the wings of seven ravens be clipped, so they could not fly away, and their successors strut around on the field behind the White Tower till this day.

        This is the first book to reconstruct the history of the famous ravens and how they came to the Tower of London. It is based on extensive research in British archives, as well as on many conversations with the Ravenmaster, the Yeoman Warders, the historians at the Tower and others. The book is also the story of the author’s personal quest to uncover the sources of a modern myth. Finally, it is a meditation on the ways in which animals are used by human beings in the construction of personal, and collective, identity.

        The author has found that the ravens at the Tower are not ancient and were not domesticated under Charles II, but their true story has more high drama than the standard narrative. They were brought to the Tower to dramatize tales of Gothic horror told to tourists in the last decades of the nineteenth century. The legend that Britain will fall if the ravens leave the Tower dates only to the end of World War II. It was inspired by the use of ravens as unofficial spotters for enemy planes and bombs during the Blitz.

        The ravens can still connect the British with both their history and with the natural world. For the approximately 130 years that the ravens have been at the Tower, they have been variously viewed as symbols of cruelty, avatars of fate, and cuddly national pets. In contemporary times, the legend that makes the ravens protectors of the nation may be given an ecological interpretation.

        The book concludes with an argument that the ravens should continue to be kept as a colony at the Tower but no longer deprived of flight. It will prove impossible to keep them with clipped wings when, as now seems inevitable, wild ravens return to London. Furthermore, the adventures of the ravens that can move at liberty may provide a more resonant symbol for the British nation.

 

Pre-Publication Endorsement:

“Boria Sax traces the history of the ravens in the Tower of London, with accurate scholarship and engaging stories.  Sax, who understands both history and ravens as do few others, as shown how the legend that Britain will fall if the ravens leave the Tower stems not from Charles II but from the bombs and breweries during World War II. He reveals both the symbolic power and the true magic of the Tower Ravens today.”

John Marzluff,

Author, Avian Conservation and Ecology in an Urbanizing World, In the Company of Crows and Ravens

 

Narrative Outline:

 

Introduction by Tony Angell

This introduction compares the ravens in the Tower of London to those in Native American religions of the Canada and the American Northwest Coast.

 

 

PART ONE: WHAT THE RAVENS TELL

I.    In Search of the Tower Ravens

This is an introductory chapter describing the fascination that the ravens in the Tower have had for visitors from the Japanese author Natsume Soseki in the early nineteenth century to the present.

 

II.   A Modern Myth

This chapter tells the story of how the author began to investigate the Tower Ravens, and then examines the lore of the ravens as myth, tradition, and folklore.                                                                                                           

 

III.     Sacrifice and Resurrection

This chapter looks at the ravens in the context of Victorian culture, which was fascinated with medieval and esoteric themes.

 

 

PART TWO: BRAN AND HIS LEGACY

IV.     City of Ravens

This chapter looks at ravens and their importance in British culture and mythology, from the Celts and Romans to modern times.

 

V.   Bran the Blessed

This chapter tells of the Celtic raven-god Bran, who was the ultimate inspiration for the institution of the Tower Ravens.

 

VI. A Shrine for Martyrs

This chapter tells of how the Tower of London became intimately associated with beheaded rulers from Bran to Charles I and Lady Jane Grey.

 

VII.   Around the Scaffold

This chapter tells how ravens were driven from London in the nineteenth century, but began to appear fascinating and exotic.

 

VIII. The First Ravens in the Tower

This chapter reconstructs how the first ravens may have been brought to the Tower by the Earls of Dunraven in the latter part of the nineteenth century.

 

 

IX.   Bombs and Beer

This chapter tells how ravens were used unofficially as spotters for enemy planes during World War II, and reconstructs how the legend that Britain will fall if they leave the Tower began in a local brewery.

 

 

PART THREE: THE RAVENS, TODAY AND TOMORROW

 

X.   National Pets

This chapter looks at the way the Tower Ravens went from being symbols of doom to national pets in the latter twentieth century.

 

XI. In the Beat of a Raven’s Wing

This chapter looks at the institution of the Tower Ravens in the perspective of postmodern theory and literature

 

XII. The Ravens and the Crown

This chapter looks at the mystique of the Tower Ravens and the Monarchy they represent, in light of massive changes in contemporary British society.

 

Epilogue: Will Britain Fall?

This chapter proposes how a nest of live ravens can be maintained at the Tower of London, thus using the institution of the Tower Ravens as a bond with the natural world.

 

 

 

Intended Audience:

        This book will appeal to the following audiences, in order of probable commercial importance:

1) The millions of tourists who visit the ravens at the Tower of London every year and would like to know more about them.

2) Scholars of human-animal relations, a field where the author has already published extensively and is well known.

3) Readers who are interested in the development of myth, whether on a scholarly or popular (i.e., New Age) level.

 

Articles Adapted from the Book:

The author has published several articles and encyclopedia entries adapted from the material in this book. Two articles published in refereed journals are as follows:

 

"How Ravens Came to the Tower of London." Society and Animals. 15.3 (2007b): 267-81.

"Medievalism, Paganism, and the Tower Ravens." The Pomegranate:The International Journal of Pagan Studies. 9.1 (2007): 62-77.

 

 

 

About the Author:

Boria Sax has a doctorate in Intellectual History and German from SUNY Buffalo. He has worked extensively in online education, for which he received the prestigious Sloan-C 2002 award for “Online Learning Effectiveness” as well as the HUSUS award for the "best new course" of 2007. He is also founder of the organization Nature in Legend and Story, dedicated “to promote understanding of traditional bonds between human beings and the natural world.” Two of his books, Animals in the Third Reich (Continuum 2000) and The Mythical Zoo (ABC-CLIO 2002), have been named as “Outstanding Academic Titles” of the year by the journal Choice. His books have been translated into French, Japanese, Korean, Turkish, and Czech.

 

About the Illustrations:

        Many of the illustrations shall be from photographs taken by the author, particularly of the Tower of London and the Tower Ravens. Still others will be taken from old prints, most of which are in the public domanin. Further illustrations will be drawings by Seattle artist and naturalist Tony Angell, whose most recent book is In the Company of Crows and Ravens, co-authored with John Marzluff (Yale UP, 2005). Tony Angell has won numerous awards including the American Association of University Presses Design and Production Award (1989) and the Best Overall Illustrator Award from the Victoria and Albert Museum (2006).